Research·May 5, 2026·4 min read

Creatives keep telling us the same thing about AI: every output looks the same.

12 models, 5 creative domains. One repeated complaint from working evaluators: the work all looks the same.

  1. 0112 models, 5 creative domains. Evaluators converge on objective criteria, diverge on personal taste.
  2. 02Agreement (Kendall's W) is high on prompt adherence, lower on visual appeal. Widest gap on brand assets.
  3. 03Averaging evaluator disagreement collapses the signal creative work depends on.
  4. 04Models trained on averaged judgments converge on safe defaults. Same brief, same-looking output.
Contra Labs
Contra Labs
Research

Working creatives across our research keep reaching for the same words to describe what they liked: alive, dynamic, distinctive, real.

When AI work has clear failures (broken hierarchy, unreadable type, visible artifacts), evaluators agree. It's straightforward. Beyond that, taste comes into play. Evaluators stop scoring against standards and start scoring against feeling.

Convergence and divergence as two interacting signals. Convergence rises as work approaches production. Divergence stays present where the question shifts to taste.
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The agreement gap

We measured this directly. Kendall's W (a measure of evaluator agreement) tracks the transition. In ad images, agreement on prompt adherence is high. Agreement on visual appeal is much lower. In brand assets, the gap is wider still. The same evaluators, looking at the same outputs, agree where the criteria are objective and disagree where the criteria are personal.

Same evaluators, same outputs. Agreement is high on objective criteria, much lower on subjective ones.
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One brand designer evaluating four AI-generated brand visuals put it this way:

Honestly, I feel like all four images could be used as brand visuals. What made me choose some over others was the sense of life: some felt more dynamic, realistic, and human.

That sentence describes the entire problem with current AI evaluation.

What averaging destroys

Most benchmarks treat evaluator disagreement as noise. Adjudicate, vote, average it out. That works when there's a ground truth, but not for creative work. Mood, conceptual risk, aesthetic direction: the dimensions creatives care about most are precisely the dimensions where professionals legitimately disagree.

Models trained against averaged judgments collapse toward safe defaults. Multiple models given the same brief produce similar work.
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Models trained against averaged judgments collapse toward safe defaults. Multiple models given the same brief produce similar work. It's the predictable output of evaluation systems that flatten taste into a single quality score.

Two signals, not one score

The fix is structural: treat convergence and divergence as separate signals. Convergence captures best practices that models can and should learn (typography, CTA placement, hierarchy). Divergence captures the steerability that creative work depends on. Optimizing on one doesn't guarantee the other, because a model can be technically excellent and creatively flat.

Best-practice fit and steerability as orthogonal axes. Models cluster by where they earn their advantage: strong defaults, strong steerability, or one without the other.
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If you're building creative tools, this is a product decision before it's a technical one.

How we ran this study → Methodology
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